Herbie Hancock is an award-winning jazz composer and musician with a rich, stylistically diverse canon of songs that include “Maiden Voyage” and “Rockit.”
Herbie Hancock is an iconoclast of modern music. Throughout his explorations, he has transcended limitations and genres while maintaining his unmistakable clear and true voice. With an illustrious career spanning five decades and 14 Grammy™ Awards, including Album of the Year for River: The Joni Letters, he continues to amaze audiences across the globe.
There are few artists in the music industry who have had more influence on acoustic and electronic jazz and R&B than Herbie Hancock. As the immortal Miles Davis said in his autobiography, “Herbie was the step after Bud Powell and Thelonious Monk, and I haven’t heard anybody yet who has come after him.”
Born in Chicago in 1940, Herbie was a child piano prodigy who performed a Mozart piano concerto with the Chicago Symphony Orchestra at age 11. He began playing jazz in high school, initially influenced by Oscar Peterson and Bill Evans. He also developed a passion for electronics and science and double-majored in music and electrical engineering at Grinnell College.
The major initially seemed more practical and allowed him to invest in his passion for technology.
In 1960, Herbie was discovered by trumpeter Donald Byrd. After two years of session work with Byrd as well as Phil Woods and Oliver Nelson, he signed with Blue Note as a solo artist
and released his debut album as the head of a band, Takin’ Off, which garnered fame as the first album on the Blue Note roster to feature all newly composed tunes, like the seminal “Watermelon Man” while continuing to record and pen future classics like “Cantaloupe Island” and “Maiden Voyage
In 1963, Miles Davis invited Herbie to join the Miles Davis Quintet. During his five years with Davis, Herbie and his colleagues Wayne Shorter (tenor sax), Ron Carter (bass), and Tony Williams (drums) recorded many classics, including ESP, Nefertiti, and Sorcerer. Later on, Herbie made appearances on Davis’ groundbreaking In A Silent Way and Bitches Brew, which heralded the birth of jazz-fusion.
Herbie’s own solo career blossomed on Blue Note, with classic albums including Maiden Voyage, Empyrean Isles, and Speak Like a Child. He composed the score to Michelangelo Antonioni’s 1966 film Blow Up, which led to a successful career in feature film and television music.
Over the ensuing years, via the release of dozens of albums, Hancock established a reputation as an outstanding composer who feels free to explore genres outside of traditional jazz, ranging from fusion to R&B to hip-hop. The sonically radical, mystical and revered Mwandishi (1970) started his independent streak. After leaving Davis, Herbie put together a new band called The Headhunters and, in 1973, recorded Head Hunters. With its crossover, the funk-based hit single “Chameleon,” became the first jazz album to go platinum; the album featured “Chameleon” and another version of “Watermelon Man,” whose sexy grooves would later be sampled in hip-hop/reggae circles. 1977’s “Sunlight” featured rejuvenating soul with Hancock himself on vocoder vocals.
By mid-decade, Herbie was playing for stadium-sized crowds all over the world and had no fewer than four albums in the pop charts at once. In total, Herbie had 11 albums in the pop charts during the 1970s. His ’70s output inspired and provided samples for generations of hip-hop and dance music artists. Herbie also stayed close to his love of acoustic jazz in the ’70s, recording and performing with VSOP (reuniting him with his Miles Davis colleagues), and in duet settings with Chick Corea and Oscar Peterson.
In 1980, Herbie introduced the trumpeter Wynton Marsalis to the world as a solo artist, producing his debut album and touring with him as well. In 1983, a new pull to the alternative side led Herbie to a series of collaborations with Bill Laswell. The first, Future Shock, again struck platinum, and the single “Rockit” rocked the dance and R&B charts, winning a Grammy™ for Best R&B Instrumental. The video of the track won five MTV awards. Sound System, the follow-up, also received a Grammy™ in the R&B instrumental category.
The following decades saw more releases on different labels, including Dis Is Da Drum(1994), Gershwin’s World (1998), honoring George Gershwin’s 100th birthday, and the electronica-oriented Future 2 Future (2001). 2010’s The Imagine Project saw the composer working with an international cast that included Céu, Pink, Seal and Juanes.
Hancock has also provided scores to a number of TV and film projects. He penned music for Bill Cosby’s Fat Albert cartoon and an accompanying album as well as for films like Death Wish (1974), A Soldier’s Story (1984) and Jo Jo Dancer, Your Life Is Calling (1986). Herbie won an Oscar in 1986 for scoring the film ‘Round Midnight, in which he also appeared as an actor. Numerous television appearances over the years led to two hosting assignments in the 1980s: Rock School on PBS and Showtime’s Coast To Coast.
The legendary Headhunters reunited in 1998, recording an album for Herbie’s own Verve-distributed imprint, and touring with the Dave Matthews Band. That year also marked the recording and release of Gershwin’s World, which included collaborators Joni Mitchell, Stevie Wonder, Kathleen Battle, the Orpheus Chamber Orchestra, Wayne Shorter and Chick Corea. Gershwin’s World won three Grammys™ in 1999, including Best Traditional Jazz Album and Best R&B Vocal Performance for Stevie Wonder’s “St. Louis Blues.”
Herbie reunited with Bill Laswell to collaborate with some young hip-hop and techno artists on 2001’s FUTURE2FUTURE. He also joined with Roy Hargrove and Michael Brecker in 2002 to record a live concert album, Directions In Music: Live at Massey Hall, a tribute to John Coltrane and Miles Davis.
Possibilities, released in August 2005, teamed Herbie with many popular artists, such as Sting, Annie Lennox, John Mayer, Christina Aguilera, Paul Simon, Carlos Santana, Joss Stone and Damien Rice. That year, he played a number of concert dates with a re-staffed Headhunters, and became the first-ever Artist-In-Residence at the Tennessee-based festival Bonnaroo.
In 2007, Hancock recorded and released River: The Joni Letters, a tribute to longtime friend and collaborator Joni Mitchell featuring Wayne Shorter, guitarist Lionel Loueke, bassist Dave Holland and drummer Vinnie Colaiuta and co-produced by Larry Klein. He enlisted vocalists Norah Jones, Tina Turner, Corinne Bailey Rae, Luciana Souza, Leonard Cohen and Mitchell herself to perform songs she wrote or was inspired by. The album received glowing reviews and was a year-end Top 10 choice for many critics. It also garnered three Grammy™ Awards, including Album of the Year; Herbie is one of only a handful of jazz musicians ever to receive that honor.
In 2010 Hancock released the critically-acclaimed CD, The Imagine Project, winner of two 20ll Grammy™ Awards for Best Pop Collaboration and Best Improvised Jazz Solo. Utilizing the universal language of music to express its central themes of peace and global responsibility, The Imagine Project was recorded around the world and features a stellar group of musicians including Jeff Beck, Seal,Pink, Dave Matthews, The Chieftains, Lionel Loueke, Oumou Sangare, Konono #l, Anoushka Shankar, Chaka Khan, Marcus Miller, Derek Trucks & Susan Tedeschi, Tinariwen, and Ceu.
Herbie Hancock also maintains a thriving career outside the performing stage and recording studio. Recently named by the Los Angeles Philharmonic as Creative Chair For Jazz, he currently also serves as Institute Chairman of the Thelonious Monk Institute of Jazz, the foremost international organization devoted to the development of jazz performance and education worldwide. Hancock is also a founder of The International Committee of Artists for Peace and was recently awarded the much esteemed “Commandeur des Arts et des Lettres” by French Prime Minister Francois Fillon.
In July of 2011 Hancock was designated an honorary UNESCO Goodwill Ambassador by UNESCO Director-General Irina Bokova. Recognizing Herbie Hancock’s “dedication to the promotion of peace through dialogue, culture and the arts,” the Director-General has asked the celebrated jazz musician “to contribute to UNESCO’s efforts to promote mutual understanding among cultures, with a particular emphasis on fostering the emergence of new and creative ideas amongst youth, to find solutions to global problems, as well as ensuring equal access to the diversity of artistic expressions.” UNESCO’s Goodwill Ambassadors are an outstanding group of celebrity advocates who have generously accepted to use their talent and status to help focus the world’s attention on the objectives and aims of UNESCO’s work in its fields of competence: education, culture, science and communication/information.
By 2013, Herbie Hancock had won 14 Grammy Awards, including for album of the year in 2008, for his tribute to friend Joni Mitchell, River: The Joni Letters—marking the first time in more than four decades that the award went to a jazz musician. The album featured artists like Tina Turner, Norah Jones and Leonard Cohen.
Hancock is a practitioner of Nichiren Buddhism, whose spiritual practices inform his art and philosophies. With a 34-CD Columbia Records box set released in the fall of 2013, Hancock later gave lectures at Harvard University in 2014 as part of its Charles Eliot Norton Professorship in Poetry series. And in October of that year, he released the memoir Possibilities, co-written with Lisa Dickey.
Now in the fifth decade of his professional life, Herbie Hancock remains where he has always been: in the forefront of world culture, technology, business and music. Though one can’t track exactly where he will go next, he is sure to leave his inimitable imprint wherever he lands.
Herbie Hancock – USA Summer Tour 2017
“Spank-A-Lee” – HeadHunters live in Bremen, Germany @ Musikladen: November 1974
Herbie Hancock Trio – Live At The Munich Philharmonie, 1987
“Chameleon” – Live at Java Jazz Festival, (2012)
Mwandishi Band Live, 1972